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Baltimore's Joseph Meyerhoff Symphony Hall |
Baltimore really
loves its symphony orchestra. I mean, really-really! It was such an enjoyable
experience catching up with the Baltimore Symphony Saturday night. It was my first time
attending a concert conducted by BSO Music Director Marin Alsop, as well as my first
concert at Baltimore’s Joseph
Meyerhoff Symphony Hall.
Wow, did this Baltimore-bred music lover actually type that?
Where is his loyalty, one might ask. Not even a trip across the Beltway
to hear the BSO at Strathmore Performing
Arts Center?
(Well, I can at least say that I played a fair number of BSO recordings in my
past life as classical music broadcaster.)
All of that changes after Saturday’s engaging evening of
music (and more).
But I must blushingly admit that the last time I had
previously attended a BSO concert was at the old Lyric Theater. I wish I could
even say that the last time at the Lyric was shortly before the Meyerhoff
opened in 1982…but, alas, it wasn’t.
Nope, last time I actually attended a BSO program was sometime in the distant ‘60s. Someone had the radical idea of
busing a bunch of us rowdy high school hoodlums to a BSO concert. And to make
it “worse,” a concert that was being recorded for broadcast.
I referred not long ago to the hyper-developed trivia lobe
that sits somewhere behind my eyes and between my ears, so here is a bit of
trivia guaranteed to register at least with Baltimore radio listeners of a certain
age … or audio buffs (also of a certain age).
We rowdy hoodlums (OK, I wasn’t one of them – I happened to like
classical music) were soundly and deservedly bawled out before the concert by Baltimore
broadcaster Gil Kriegel of station WITH for “our” (Not Me, I reiterate!) lack of decorum.
When AM carried the fiddles and FM the celli (or was it the other way around?)
Another bit of musical, broadcast, and audio trivia, again
for those “seasoned” enough to appreciate it – Once upon a time, and for a
mercifully short period until FM Multiplex Stereo broadcasting arrived, there
were experimental stereo broadcasts of the BSO by WITH, which at the time, had
both AM and FM stations. The programming was different, but on Sunday
afternoons, they came together to thrill music lovers with concerts by the BSO.
I believe the conductor at the time might have been Massimo
Freccia.
Stereo was new and novel enough at the time that the (often) rather
obvious difference in sound quality between the two channels did not seem to
dim the experience, and the Symphonie Fantastique did indeed sound pretty
fantastic…as did the Tchaikowsky, Brahms, Mendelssohn, what have you.
A typical set-up might have been that the FM channel would
blossom forth from, perhaps, a large mahogany “HiFi” console (in our case, it
was a huge DuMont 19 inch TV that also incorporated an
FM tuner of quite decent quality and a big coaxial speaker), and the poor-relation AM side squawked forth
from a table radio (ours was a modest Emerson).
As this was something of an event for music lovers, one made
sure that the AM table radio was carefully tuned to avoid any spurious
“whistles.” Also, that any fluorescent lights or vacuum cleaners were turned
off to avoid any futzing with the fiddles or flutes.
Oh, my, I have just reminded myself of how Hannibal Lecter,
another lover of fine music, rid the BSO of a faulty flautist who made the
mistake of playing his flute miserably out of tune during the Mendelssohn
Scherzo from “A Midsummer Night’s Dream” that opens “Red Dragon.” Ah, but that was
a “deliciously” appropriate (if purely cinematic) matter of maintaining high standards of orchestral
playing, and I hasten to add the flutes Saturday night sounded just fine. So no
off-tune livers being dined upon with fava beans and a nice chianti…or served
as an amuse-bouche to music
supporting dilettantes in Bolton Hill.
But back to those noble early AM-FM attempts at stereophonic
symphony broadcasts…They didn’t necessarily have to sound as cheesily
off-balanced as I described above. The true audio hobbyist (in which I had by then
only attained “sprout” status) might instead have listened on a full-fledged
audio system with identical speakers left and right, with the broadcast entering
via perhaps a McIntosh AM-FM tuner (with two tuning knobs) which allowed
simultaneous tuning of both an AM and an FM station, sending them as separate
left and right channels to the amplifying stages of one’s system. In such
cases, the AM channel could at least be subjectively closer in sound to the FM
channel…given no thunderstorms, fluorescent lights, or errant Hoovers.
Pillow talk...and staying alive (with oriental color)...
Ah, but I did I not begin this errant ramble with references
to the treats enjoyed by your scribe Saturday night at the Meyerhoff, as Maestra Marin
Alsop conducted Nikolai Rimsky-Korsakov’s colorful orchestral showpiece
“Scheherazade” with Concertmaster Jonathan Carney playing the
featured violin parts by which the fair Scheherazade convinced the bloodthirsty
Sultan it was better (and much more entertaining) to keep her around as the
spinner of exotic tales.
It had been too long since I’d heard this favorite
piece in a live performance. Also, some recent photography around the old
B&O Mount Royal Station, close by the Meyerhoff, reminded me that it might
be fun to rediscover the BSO, experience the Meyerhoff, and enjoy more of Baltimore’s
dining and other attractions nearby. And, as a visit to the BSO web site revealed some upcoming concerts featuring "Scheherazade," all fell into place nicely.
While the exterior of the Meyerhoff might be an acquired
taste, the inside is pleasantly modern and airy. Even before one enters the
auditorium, it is clear the public spaces have been designed with an eye to user-friendliness.
Spread out on each level are alcoves with seats and tables for enjoying a
pre-concert drink or snack from the multiple bars and food service kiosks or
just socializing. And most of these areas have nice outside views, including to
one of my favorite sights, beloved from childhood, the clock tower of the
Baltimore and Ohio Railroad’s proud Mount Royal Station, now productively occupied
by the art school of the Maryland Institute.
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South end of Mount Royal Station faces the Meyerhoff |
The auditorium is visually pleasing as well, as one looks up
at boxes and other tiered seating areas with graciously curved forms, which
were, in fact, part of the acoustic design. While my computer-selected seat was quite close to
the stage and rather far to the left, I do look forward to experiencing the
sound balances and views of the orchestra from other parts, and levels, of the concert
hall on future visits.
Off the Cuff...
This particular performance of “Scheherazade” was one of the
so-called “Off the Cuff” series programs, where Marin Alsop talks to the
audience about the work and conducts snippets to illustrate, before conducting
the full work.
It is so satisfying to watch people who genuinely love what
they do, and who so engagingly share that passion with their public. The big
surprise, for me as a first time attendee of one of these programs, was that –
after the performance (which was, I should add, most enthusiastically received
by the large Meyerhoff audience) – Ms. Alsop returned to the stage with Mr. Carney
to conduct an informal question and answer session with the audience, most of
whom, I noticed, stayed on to enjoy or participate. There is one overwhelmingly
accurate description of how she presides – gracious. The questions were posed
by youngsters, seniors, and all ranges in between. And both Ms. Alsop and Mr.
Carney were patient, enthusiastic, and engaging. In the case of many of the
participants, Ms. Alsop asked them questions in return.
I think the session may have lasted anywhere from 45 minutes
to an hour and never did I get the feeling that a questioner was rushed or
given less than thoughtful replies from the stage. And when it came time to
wrap up, it was done graciously.
Oh yes, there was another surprise. After the Q-and-A we
were invited to adjourn to the lobby where tasty Afghan dishes were being
provided at modest cost by one of midtown Baltimore’s
finest restaurants, The Helmand. And, to wash it down,
Stella Artois at four bucks a
bottle. Oh, yes, and an ensemble providing music.
Can other orchestras learn from the BSO’s example of both
gemütlich and user-friendly accessibility? Another “Oh, YES.”
A loyal fan was made that night at the Meyerhoff. Wish it
had happened sooner.
Oh, one more thing to note…this one about…manners. How can I
put this gently? I have attended concerts over many years at our alabaster
cultural palace on the banks of the Potomac. Many a
fine performance, whether by the National Symphony Orchestra or visiting world class orchestras. I have never learned to be less offended when, barely have
the notes of the last piece faded away, one sees all too many “concertgoers” heading
for the exits to be the first ones to depart the parking garage. Not all, but
too damned many. I know the orchestra members are paid well, but to see this
happening after they’ve played their you-know-whats off…I have to wonder how
they feel seeing from the stage this consummate rudeness. And not just when the
next day is a work day.
Did I see this at the Meyerhoff? No. Indeed, it looked as
though most of the audience did in fact stay put for the Q-and-A.
If Saturday night is any kind of example, Baltimore
really loves its symphony orchestra and it really-really shows.
I couldn’t resist a movie reference earlier. Heah's anudduh.
“I’ll be back.”
©2017 Steve Ember
Labels: AM-FM Simulcasts, Baltimore, Baltimore nostalgia, Baltimore Symphony Orchestra, Marin Alsop, Rimsky-Korsakov, Scheherazade, The Helmand