Monday, April 28, 2014

Wildromantisch! (or what's in a word?)

   ...from a photographer's notebook

"Wildromantisch" - Zügenschlucht from Bärentritt, Canton Graubünden  ©Steve Ember




As someone who enjoys photographing wild, craggy, Alpine settings, there is a German word I really like – Wildromantisch.

 Wildromantisch!

Nothing more really than the German combination of “wild + romantic.” But, it’s so much more…evocative…than just one of those big, long German words made up of more than one component.
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Friday, March 22, 2013

A "Tender" Moment

...from a photographer's notebook






I love being behind a camera, whether the image the lens is capturing gets recorded on a digital sensor or a sprocketed strip of silver coated celluloid…whether I’m high up in the Alps or roaming about closer to home, trying out one of my “new” film cameras.

If there is one “frustration” in following my photographic muse, it is that I never seem to have enough time to edit all of my work when I return from a trip. At least, not all at once. But, as long as “Terabyte” and Poly-Sleeves and slide boxes are in the lexicon, I know the worthy images I do not deal with in short order will patiently await their turn for later discovery, sometimes with Christmas morning effects on the photographer.

There is a particular joy in “re-discovering” images that, in some ways, makes up for any frustrations of the “wish I had more time for this” variety. Sometimes, the “re-discovery” takes, er, decades. Such was the case when I bought my Nikon film scanner in the summer of 2009 so that I could bring my slide and negative images into a more modern workflow. Did I ever go on a tear that summer, diving into long-unopened boxes of slides and letting the ol’ Coolscan have its way with Kodachromes and Ektachromes and all-kinds-of-other-chromes, splashing their lovely little pixels on my screen for cataloging and tweaking. Oh, yes, and re-living the rich memories of travel (and other) experiences they embodied.

Sometimes, returning to a group of images can produce a genuine Eureka moment, leading to creating a new print for an exhibit, or perhaps a new Photo Note Card design. And sometimes, it’s just a smile-maker in seeing a detail I’d obviously overlooked in my first perusal of a set of images. That was the case here. Just a small detail, but I feel just a little Christmas-morning-ish as I look at it.

If you follow my work, especially on my Foto-Community pages, you are aware of my delight in shooting the trains of the Rhätische Bahn winding through the dramatic Alpine wonderland of Switzerland’s Canton Graubünden.

In early October 2011, during two glorious weeks of Alpine early autumn, I spent several days along the RhB, whether chasing trains or riding them and shooting out of open windows.

On this particular day, my Bündner-friends Beatrice and Ruedi and I were riding the vintage steam train on an all-day excursion from Landquart to Sumvitg, along the line to Disentis/Mustér. The trip was pulled by the RhB’s lovingly maintained steam locomotive No.107 “Albula” (named for a major route of the Rhätische Bahn system).

As much fun as it is to ride in vintage coaches behind a huffing, puffing Dampflok through such choice surroundings as the Vorderrhein Gorge (the Swiss Grand Canyon), for the photographer, the experience ratchets up well before stepping aboard the vintage carriages.

No.107, a Class G4/5 locomotive, was built in 1906. She remains spry and limber thanks to all the TLC she gets from her friends and, of course, the support of the Rhätische Bahn for these special excursions.

Here, the old gal makes a dramatic statement that is, I’m certain, the Bündner-Deutsch equivalent of “You ain’t seen nothing yet!” as she backs her train into the Landquart RhB station. Her coal tender is stacked high with a sufficient quantity of coal bags for the day- long adventure, and the steam issuing from her cylinders and the smoke and steam from her exhaust stack tell even the most casual trackside observer she “has what it takes!”

After returning from that Swiss visit in 2011, I posted several RhB images on my F-C pages (you can find them all in the “Rhätische Bahn” folder), including one capturing this same maneuver, from a Fujichrome transparency. 

But the reason this digital image jumped out at me when I returned this week to the folder containing that day’s shoot, has to do with that tender. And not the coal bags peeking out the top, either!

A "Tender" Moment on the Rhätische Bahn










While the vintage carriages of the Rhätische Bahn were dark green, as seen here, if you are familiar with present day RhB trains, you know they are a distinctive bright red (giving the railroad its sobriquet “Die Kleine Rote”). With such familiarity, one could draw the conclusion that, below the unglamorous coal bags in the tender was a vibrant, perhaps impressionistic, “mural” depicting those bright red trains, passing through a forest of evergreens, perhaps along the Albula Line, under the deep blue sky of a sunny day in the Graubünden Alps..

Nice thought, but you’d be wrong ;-)

What makes me really glad I poked around again in that folder is the serendipity created by the combination of lens angle, the ambient sunlight along the platform, and the fact that unseen across the platform from the vintage train, sat a conventional red consist of “Kleine Rote” carriages, just waiting to reflect along the flanks of the tender as ol’ 107 backed her train past.

Oh, heck, maybe I will call it a “kleine” Eureka-Moment.

©2013 Steve Ember

"A Tender Moment" is now available as a Photo Note Card. To see the design, and to see a higher definition image, please follow this link.

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Tuesday, December 6, 2011

A New Card Design, in time for the Holidays

    from a photographer's notebook...


During my Autumn 2010 visit to Switzerland's Canton Graubünden, I engaged in one of my favorite photographic pursuits - shooting the bright red trains of my favorite railway, the Rhätische Bahn amidst the stunning Alpine landscapes through which they run. I returned to Graubünden (and other regions of Switzerland) this past October for another wonderful stay, but time has been a precious commodity of late, so my photos might be a while in coming - and this little post is about honors for a particular image from last year's visit...

A  high point during the 2010 trip was shooting these trains on the magnificent Landwasser Viadukt, along the Albula Line of the Rhaetian Railway, incidentally a UNESCO World Heritage Site. The weather could not have been more cooperative, allowing me to shoot under consistently fine conditions on several days, whether from a high viewpoint overlooking the Landwasser or from the train.

One of my favorite views, especially from the standpoint of lighting and color was taken from the open window of a Rhätische Bahn Regio Express bound for St. Moritz, looking ahead to the Landwasser as we crossed another magnificent stone viaduct that spans the Schmittentobel.  There was something so satisfying in seeing  the Landwasser up ahead of us, and knowing that the changeable weather conditions along the Albula Line were, once again, going to cooperate as we crossed it.

The image being a favorite, I had a large display print made. I was delighted in learning this evening that "Approaching the Landwasser" was selected for the December All Media show at the Art League Gallery in Old Town Alexandria. It can be seen through the end of December in a large archival 24 x 16 inch print. If you're free this Thursday evening, please stop by for the Artists Reception and say hello (or Grüezi Wohl or Allegra if you prefer!) and I'll tell you everything you've ever wanted to know about my beloved Graubünden and the Rhätische Bahn!

Oh, and with "Approaching the Landwasser" being honored, I decided to add it to my line of custom printed Photo Note Cards.  So, if you're looking for an appropriate Holiday gift for the Alps and/or train lover on your list, do be in touch! The image above shows the card design.

And if you'd like to see a higher definition image, as well as other photos of the trains of the Rhätische Bahn in their wonderful Alpine milieu, and read about some of my adventures in shooting these images, please follow this link to my pages on Foto-Community. Once there, navigate the Rhätische Bahn, Engadin, Swiss Alps, and Kodachrome! folders.

©2011 Steve Ember

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Saturday, June 26, 2010

Flower Child

...from a photographer's notebook.


Arosa is a mountain village, high up in Switzerland’s eastern-most canton of Graubünden. It is reached by a most scenic one-hour train-ride from Chur, the cantonal capital, on the Rhätische Bahn, the narrow gauge railway that serves the canton.

I first fell in love with the various lines of the Rhaetian Railway and the views they provide of the glorious Alpine settings in this region in 1989. A highpoint of that visit included riding the famous Glacier Express from Zermatt (in Canton Valais) to St. Moritz – the Rhätische Bahn operates the train from Disentis to its eastern destinations, whether St. Moritz or Chur. That visit also introduced me to the Alpine enchantment of the RhB’s Bernina Line which connects the sunny Upper Engadine Region with Italy. But the RhB route that most engaged my passion for photographing brooding mountain landscapes was the Albula Line, which connects St. Moritz and Chur, and includes the soaring stone Landwasser Viadukt as well as other similarly dramatic structures, carrying the line over the deep gorges of the region.

While the Upper Engagine boasts its “Champagne Climate” with more than 300 sunny days a year (and what’s not to like about that?) the Albula route brings more of a brooding cloud- and mist-swept aspect, making those craggy gorges and soaring stone viaducts all the more wildromantisch. This is not to say the Albula Region does not see sun, just that its weather is more “mountain-variable.” And certainly more of a challenge to the photographer…

So, what does my little stone urchin have to do with trains and mountain weather?

It took me five years to return to Graubünden and the inviting red trains of the Rhätische Bahn. In early autumn 1994, I spent a few days in Chur. Chur is something of a train lover’s magnet. Its main rail station is the connection point between the mainline trains of the Swiss Federal Railway (SBB) and the narrow gauge trains of the Rhätische Bahn. Perhaps lost on the disinterested traveler in the easy cross-platform transfer from the SBB express from Zürich to the waiting Schnellzug nach Sankt Moritz, is that he is entering the domain of an extensive narrow gauge railroad system that reaches deep into the Albula Region, the Upper (and Lower) Engadine, the Vereina Region of Davos and Klosters, and the high-altitude line through the Bernina Range into sunny Italy. Ah, but the train lover revels in the different types of locomotives and rolling stock, and if he is patient, he might even catch sight of one of the RhB’s iconic brown “Crocodile" locomotives departing with a mixed goods and passenger train.

Another attraction for the railfan at Chur is upstairs from the mainline tracks, in front of the station, where the train to Arosa departs. Narrow gauge, like its brethren downstairs, this train begins its journey into the mountains by rumbling up a main thoroughfare of the capital, like a city tram. Before long, the buildings of Chur give way to some seriously beautiful mountain views, with stone viaducts that remind one of the bridges traversed on the Albula Line. Re-powering of the line in 1997 replaced the red multiple unit electric trains pictured here with blue equipment pulled by locomotives. I’m certain the blue cars are just fine, but frankly, I’m glad I was there in ’94 to catch the red trains in their autumnal mountain surroundings.

Well, about my little stone urchin…

Sometimes, an expected shoot – especially in the Alps – takes on a different character. While the trip began in sunshine and included lots of pristine sunlit vistas along the way, by the time we had climbed to Arosa, we were into the mists at the base of the clouds that shrouded the mountain peaks. So, Arosa itself was rather cloudy, chilly, and damp, with nary a peek at the surrounding mountain grandeur. Well, the photographer’s eye is always open for motifs that make him glad he’s “there.” And so, the shooting while awaiting the train back to Chur was more at close ranges than infinity. More like f/4 than f/22. The Velvia was stashed in favor of some “Faster-Fuji” that would allow some handheld shooting in the misty village. No sooner had I reloaded my trusty EOS-1 when my exploring eye caught this whimsical little sculpture. What made it really appealing was the serendipity of the purple flowers, which transformed my little stone cherub from mere monochrome. Oh, yes, and those wide white eyes.

And in that moment, I was glad I was there.

“Flower Child” was juried into the June show at the Art League Gallery in Old Town Alexandria. It is available in matted prints as well as framed. It will also be joining my line of Photo Note Cards.

I hope he brings you a smile.

©2010 Steve Ember

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